we read your writing
PEEP·HOLE

YOUR LITERARY DIAGNOSIS
Do any of these feel uncomfortably accurate?
Mostly A’s
You're a
THEORETICAL STALKER
A text is never finished with you.
You attach through analysis.
Desire, for you,
becomes methodology.
Interpretation becomes
a form of contact
so sustained
it begins to resemble surveillance.
You understand, perhaps too well,
the logic of I Love Dick:
obsession as a mode of thought,
criticism as erotic persistence.
You have likely mistaken
overreading for intimacy
& intimacy for scholarship.
You are rarely wrong,
only increasingly specific.
Recommended habitat:
marginalia, footnotes,
emotionally overloaded
correspondence..
Mostly B’s
You're an
ELEGANT AVOIDANT -DISAPPEARER
You prefer atmosphere
to argument,
meaning arrives obliquely,
if at all, for you.
You move through books
the way some people
move through fog.
People sometimes mistake
this for evasiveness.
Sometimes it really
is evasiveness.
You'll abandon a book
if it disappoints you.
Recommended habitat:
windows, trains,
essays that begin nowhere obvious.
Mostly C’s
You're a
FORMAL BREAKDOWN JUNKIE
You trust a text most
when it starts to come apart.
You are drawn to rupture,
to narratives that fail beautifully.
Where others panic
at instability,
you become attentive.
Your reading life
has likely produced
at least one crisis
with excellent sentences.
Recommended habitat:
fragments, unstable forms,
notebooks written after midnight.
Mostly D’s
[or answers you chose instinctively, then regretted]
You're a
MONSTER OF
OVER-ATTACHED
CORRESPONDENCE
For you,
every text is an address,
every silence feels intentional,
directed right at you.
You experience literature as contact,
invitation, provocation,
seduction, accusation.
This makes you
unusually responsive
to unstable voices,
interrupted transmissions.
Books seem
to lean toward you as you read.
You likely believe,
on some level,
that language wants something
from you personally.
You are probably right.
Recommended habitat: unread messages, delayed replies, books that feel written specifically for you, whenever you need them most.
FINAL
NOTE
If none of these feel accurate,
you may be reading
from inside a genre
that has not yet been named.
And if
all of them feel accurate:
welcome.
Want to write
with me this month?